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Visual art
Printmaking, photography, digital design, sewing, embroidery, video, and visual experiments that move between the tactile and the screen.
About
Based in Seattle, I make visual work, objects, and digital experiences—often where those practices overlap.
Practice
I’m interested in work that has a point of view and a real place in the world: an image, a garment, a speaker, a printed object, a piece of software, or a room full of music.
My process moves easily between handwork, physical prototyping, visual systems, and engineering. The medium changes; the impulse stays the same: make something considered, useful, and alive.
Areas of focus
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Printmaking, photography, digital design, sewing, embroidery, video, and visual experiments that move between the tactile and the screen.
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Speakers, 3D-printed pieces, electronics, clothing, and other functional objects made through research, iteration, and material play.
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Digital tools and product experiences built with the same attention to utility, form, and the people who will use them.
Public Vinyl Radio
Through Public Vinyl Radio, I curate and document 100% vinyl sets spanning global sounds, Latin jazz, soul, cumbia, Afrobeat, and beyond. It is a continuing practice in listening, sequencing, and building connection through music.
Visit Public Vinyl Radio ↗An earlier chapter
Competitive mountain-bike and gravel racing once shaped a major part of my life. These days I ride more casually, but that period of endurance training, racing, and close attention to data remains part of the story—and a practice I may return to.
Explore the race archiveCollaboration
I’m not seeking a new role. I am open to thoughtful collaborations, creative partnerships, and projects where combining disciplines can produce something neither side would make alone.
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